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The Stars Come Out in Pawtucket
to
film Normal Adolescent Behavior
BY
MICHAEL JANUSONIS
Journal Arts Writer
PAWTUCKET
-- Hollywood took over a normally tranquil residential street off of East
Avenue
yesterday to shoot scenes for the film Normal Adolescent Behavior.
Both ends of the pretty
street, a
place of leafy trees and pseudo-Tudor houses that Beaver Cleaver or Ozzie
and
Harriet would be at home in, were blocked by orange cones and sawhorses.
Young
women with walkie-talkies and earphones stood at the barricades ready to
shoo
off anyone who was not a resident or member of the movie crew.
Several of them scurried back
and
forth, carrying tall ladders or big frames of white cardboard. Others
shouted
things like, "Quiet! We're rolling."
A camera sat on a track in
the
side yard of one house, trained on a black Audi parked out front. Behind the
car
was an enormous portable air conditioner, its fat, clear plastic tube hauled
to
the back window on the driver's side during scene set-ups to wheeze in cool
air.
Across the street, under a
white
tent, director Beth Schacter sat waiting in front of a flat-screen video
monitor
for her stars -- Amber
Tamblyn of TV's Joan
of
Arcadia, Ashton Holmes of the David Cronenberg film A History of Violence
and
Daryl Sabara of the Spy Kids movies. Between set-ups she nibbled a
chocolate-covered ice-cream bar and sipped from a cup of red slush from Mr.
Goody's ice cream truck which had found a gold-mine location at the corner,
just
out of camera range.
It's the first time Schacter,
who
has directed and written for the stage in New York, is behind the camera on
a
feature film. Normal Adolescent Behavior is based on her own script which,
unlike too many teen comedies today, is not some anything-goes, slapstick
romp
about sex-starved teens. "No drugs. No smoking. No blood," she
says
with a laugh.
"Well, a little bit of
sex," she adds teasingly. "These are teenagers after all. But safe
sex!"
Producer Brad Wyman found
Schacter's synopsis of her script late one night on an Internet Web site
geared
to independent filmmakers. He immediately asked to meet with her the next
day.
He calls Normal Adolescent Behavior sort of like "a John Hughes film,
but a
little more adult because kids are growing up quicker every day." In
the
mid 1980s, Hughes was the director of choice for teenagers, exploring their
problems and frustrations with a great deal of honesty and openness in films
such as The Breakfast Club and Sixteen Candles. "It's a drama for
kids," adds Wyman who has produced such films as Monster, which won the
best actress Academy Award for Charlize Theron playing a serial killer.
There are no serial killers
in
Normal Adolescent Behavior, which has shot scenes in Wickford and at the
Rocky
Hill School in East Greenwich and will wrap up next week after 19 days of
shooting. So far it's right on schedule on a budget of less than $5 million.
Last week's rainy weather didn't hamper shooting. "We lucked out by
being
inside when it was raining and outside when it was sunny," said Wyman.
The plot revolves around
Tamblyn's
Wendy, part of a tight-knit high school clique who finds herself in conflict
with them when Sean, played by Holmes, moves next door.
In this scene, which is
finally
ready to roll after a couple of quick rehearsals, Wendy has driven Sean home
after meeting him in class, discovering to her surprise that he is her new
next-door neighbor. Sabara, who plays her younger brother, is in the back
seat.
The scene involves the teens getting out of the car, having a few words and
then
walking into their respective houses.
Three houses are actually
being
used, although it will seem like only two on screen. Holmes' next door house
will be used for both exteriors and interiors. But the one Tamblyn
and Sabara are entering is only for exteriors. Its interiors will be shot in
a
house across the street. Production designer Gabrael Wilson of Los Angeles
explains that besides designing the interior bedrooms with posters and
original
artworks from local artists and Rhode Island School of Design students,
"you have to make sure the window treatments of this house," he
says,
pointing to the house where the camera is set up, "match the window
treatments of that house." Making two houses look like one on screen is
all
in the details.
Schacter, who says her cast
and
crew can number up to 75, is asked whether she feels as though she's
commanding
an army.
"I feel more like I'm
commanding a special ops group than an army. It's more like threading a
needle
than taking over a country. It's more exacting. It's not like 'run, jump,
kill!'
"
Wearing a black dress and
engineer boots ("Ya gotta have boots, the true secret of doing this job
is
good shoes"), her short hair is pulled back by a burgundy silk scarf.
She
looks beneficent, sort of like the Earth Mother to a large brood who are
forever
asking questions, although one whose right breast and arms have been
decorated
with small tattoos. On her upper left arm are the words "mystery luck
chance," although she says none of those things apply to this case.
Schacter says she wrote
Normal
Adolescent Behavior "'for myself when I was in grad school at
Columbia." She later took it to the Independent Film Project in Los
Angeles
for guidance in developing it. "But you can't write it thinking you're
going to get $5 million or even $100,000 for it. You have to write it for
yourself."
It was its honest and, well,
"normal" qualities that appealed to Wyman, who grew up loving
those
John Hughes films. He calls Schacter "the John Hughes for 2006."
Wyman says lots of local kids
were hired as extras in the film and some even got speaking roles.
"Part of
going on location is trying to take advantage of the location," he
adds,
even raving about the meals served by West End Cafe Catering of Cranston.
On the other hand, you're
also
dealing with people who don't usually have movie and TV stars turning up in
their neighborhoods and the excitement that can engender. A recent report in
the
Boston Herald that co-stars Stephen Colletti of Laguna Beach and Ricky
Ullman of
Phil of the Future were chased by a "stampede" of screaming
teenage
girls in Wickford, Wyman says, was exaggerated. "They got some
crowds," he acknowledged, but added that it was not like "The
Beatles
in their heyday," as the newspaper column alleged.
In fact, on this quiet street
in
Pawtucket yesterday, only the arrival of Mr. Goody's ice cream truck caused
any
kind of stampede.
www.projo.com
6/21/06
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